Makar Chudra is the main character from the story of the same name by M. Gorky. The old gypsy is the personification of the entire freedom-loving gypsy people, a proud and strong person. He has a heroic physique, reminiscent of an old, but mighty and strong oak. He is 58 years old, but he still loves freedom and a free life, wandering with his camp, not staying long in one place.

In this work, the old gypsy shares his philosophical thoughts about life. He says that it is not worth living in one place, but all your life you have to wander the earth and look, having seen enough, you can even die. He doesn't need other people. Makar Chudra is sure that every person should live by himself and for himself. He says that a person cannot be a teacher for another until he himself lives a life and gains worldly wisdom. The old gypsy walked the earth all his life, saw a lot, and learned a lot. He believes that freedom and will are the main thing in human life. The sound of the sea surf, the free and fresh wind of the endless steppes are close and understandable to him. And the one who works all his life on the earth, giving it all his health and strength, he is just a slave, he is born a slave, and he dies a slave.

Makar Chudra tells his casual interlocutor the legend of the great gypsy love of Loiko Zobar and Radda. With great pride and love, Makar describes the fearless and courageous gypsy Zobar, who was the pride of the entire gypsy people. He speaks of Zobar as a wise and competent comrade, a talented musician and singer. In his story, Loiko is a person from whom human warmth emanates; in his presence, those around him become kinder and better. Makar Chudra speaks no less about the proud beauty of the gypsy Radda. This freedom-loving gypsy conquered everyone with her unearthly beauty and rebellious character.

The characters of Loiko and Radda embody the image of Makar Chudra himself, for whom the ideal is a proud and independent person, alien to everyday life problems. The love story of Zobar and Radda is close and understandable to the old gypsy, for him there is nothing unusual in it, and the death of two loving people corresponds to the whole philosophy of his life.

The proud Loiko Zobar and the beautiful Radda, both of them had a strong love for each other, but they liked will and freedom even more. The pride of these prominent characters did not allow them to make concessions, and they accepted death as a matter of course.

Makar Chudra is one of the heroes who made such a decision.

Composition Makar Chudra

Makar Chudra is an old, freedom-loving, proud gypsy, a storyteller of stories about a real free gypsy life and main character short story of the same name by Maxim Gorky. Acts as the personification of all loving will more life gypsy people. Makar lived a long life at the age of 58, has a daughter, Nonka. Despite the wandering way of life of the gypsies, he looks dignified, and the interlocutor compares with him an ancient, mighty oak.

Chudra wanders around the world, enjoying freedom, and does not stay long in one place. He believes that his motto is that you should not sit in one place, you need to wander around the world and look. And only when you have seen enough of everything, you can lie down and prepare for death. Makar shares his thoughts with his interlocutor about people, calling them strange because they live in crowds, despite the fact that there is plenty of space around and people work, dropping their strength into the ground, and then die without having time to dig their own graves. In his opinion, a person cannot be a teacher for another until he himself gains the highest worldly wisdom.

Makar himself claimed that he had already managed to go everywhere without staying anywhere for a long time. Once he even sat in prison and thought to take his own life due to lack of freedom.

Chudra also told his interlocutor tragic story about a daring couple of gypsies, the wayward beauty Radd and beloved by all Loiko Zobar, who, loving each other, could not lose their personal freedom and preferred an independent and proud death. With admiration and pride for all his gypsy people, Makar described the brave gypsy Loiko. Talking about him, Makar characterizes Zobar as endowed with great wisdom and a fearless comrade, also a talented musician. No less he uses laudatory epithets in relation to Radda. This gypsy woman was able to conquer anyone with her beauty, but her pride and love of freedom left no chance for anyone to win her love.

In a pair of these real gypsies, the image of Makar Chudra himself was also reflected, who considered his ideal a proud and independent person, not burdened with everyday worries. Only death can deprive a person of freedom, such is the philosophy of Makar.

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The writing

Gorky is the author of completely contradictory statements about a person. He said to Chekhov: "You need to be a monster of virtue in order to love, to pity, to help live the crappy midges with guts, which we are." To Repin, he claimed the opposite: “I don’t know anything better, more complicated, more interesting than a person. He is everything; he even created God.” This suggests that Gorky thought a lot about human nature, explored it. Wanderings in Russia, life "in people" gave ground for such reflections. Research about a person was expressed in stories such as “Makar Chudra”, “old woman Izergil”, “Chelkash”, etc. and embodied in the image of a romantic hero.
Hero of the early romantic stories Gorky is many-sided, complex, but the main thing for them is freedom, independence. Their character, their life philosophy not always given directly. Their image is created by the legends they tell, confrontations with other heroes, landscape and portrait.
One of these images is the image of Makar Chudra. The ideal of Makar Chudra is free proud man which is higher than the sphere of life. Such a person "knows the will", "the expanse of the steppe is clear to him", "the voice of the sea wave gladdens his heart." And he calls a person who is not free a slave, harshly asserts that he was born in order to pick the earth, and even die, not even having time to dig his own grave. The freedom-loving nature of Makar Chudra is emphasized both by the landscape (the sea, the wind is associated with the rebellious spirit of the hero) and the portrait (everything in him is unshakable, significant: “strong pose”, “huge pipe”, “thick clouds of smoke”, “darkness of the walls”, he does not make a single movement and protects from sharp blows of the wind, because Makar Chudra is related to the “wind of freedom”.
Makar Chudra tells the legend of "Loiko Zobar and Radda". They loved each other, but could not be together, they are proud and independent personalities. "I am a free man and I will live as I want." "Will something, Loiko, I love more than you." The heroes of the legend reflect the views of Makar himself. For the sake of freedom, they sacrificed life and love. This speaks of the insolubility of the contradictions between pride and love, but this contradiction can only be resolved by death. For Makar Chudra, there is nothing surprising in their death, for him they are natural. He has his own philosophy and he does not accept another.
The same independent, free person is the Old Woman Izergil. Her image is given in the light of an ideal person, his endless love for people (Danko) and anti-ideal, cruel individualism (Larra).
The legend of the lara condemns the extreme contempt for people, the individualism of the son of an eagle and a woman. Larra valued freedom most of all. He was proud to the point that he went for the kill. Immortality was given to the mind. Larra's name means outcast and "thrown out." Eternal loneliness turns into eternal suffering. His individualism is strange, it distorts his life. Izergil tells this legend as a warning to generations.
The legend of Danko glorifies human selflessness, the ability to make sacrifices. The legend is a hymn of effective love for people. Danko, in order to lead people out of the forest, tore out his heart from his chest, and his fire illuminated their path. In the image of Danko, Gorky's dream of a man with "the sun in his blood" was embodied. However, with this legend, the author says that there are also anti-heroes in the world who are able to forget noble deeds, who are not susceptible to good. “One cautious man, afraid of something, stepped on the proud Heart with his foot. And now it, crumbling into sparks, died out.
These two legends seem to frame the story of the Old Woman Izergil about herself, about the love she gave, about the people who were dear to her. There is a contradiction in her image and speeches: a young girl should talk about sensual love, and not an old woman, who “time bent in half, her once black eyes were dull and watery. Her dry voice sounded strange, it crunched like an old woman talking with her bones. The old woman Izergil contrasts her life and the life of Lara, she believes that individualism is absolutely not peculiar to her and that she and Lara different ways. But first, the autobiographical hero uses their similarities. Larra “he has no life, and death does not smile at him. He has already become like a shadow and will always be so. And Izergil "sits alive, but withered by time, without a body, without blood, with a heart without desires, with eyes without fire - also almost a shadow." Secondly, it is striking how they treat the people they loved. She says: “We never met again those whom we once loved. These are bad meetings, all the same, as if with the dead. But, despite the convergence of the images of Izergil and Larra, she strives for the Danko pole, which embodied the highest ideal of love and self-sacrifice. She strives to convey to people the importance of love in life.
Unusually, the image of Chelkash, an old freedom-loving thief, is revealed. Gorky now does not explain the image of the hero with romantic legends. The image of Chelkash is already in opposition to Gavrila, a young peasant. Only one thing makes them related - love and freedom, and otherwise the heroes are antipodes. They have different social status (Chelkash is a vagabond and a thief, and Gavrila is a peasant), occupations (Chelkash wanders and steals, engages in propaganda, Gavrila is devoted to the economy, land), portraits (Chelkash "attracted attention to himself with his resemblance to a steppe hawk" , "he was barefoot, in old trousers, in a dirty cotton robe", Gavrila "broad-shouldered, stocky, fair-haired, with a weather-beaten face and large blue eyes who looked trustingly and good-naturedly"). The attitude of the characters to each other is also different - Gavrila reminded Makara Chudra of himself, and he treated Gavrila with pity and understanding. But Gavrila did not understand Chelkash and allowed himself to insult him. Their life positions are opposed in the story. Gavrila was swallowed up by everything earthly, low, he forgot about love of freedom for the sake of making money, while Chelkash, being a thief and an asocial element, strove for freedom and ideal.
Gorky says: “The natural state of a person is variegation.” And he portrayed romantic heroes in all their complexity and versatility.

Date of first publication:

"Makar Chudra"- the first printed work of Maxim Gorky. Published in 1892 in the newspaper "Caucasus". The story was first signed by a pseudonym M. Gorky. Screened in 1976.

Plot

The protagonist of the work is the old gypsy Makar Chudra. He tells a legend about the tragic meeting of two young gypsies - Loiko Zobar and Radda, who love each other, but consider this feeling a chain that binds their independence. As a result, Loiko kills Radd and, in front of everyone, kneels before her, already dead, thus fulfilling the condition of their wedding set earlier by the girl. Radda's father, who saw his daughter's death, kills Loiko with a knife.

History of creation

In 1925, in a letter to Kalyuzhny, Gorky recalled his literary debut, noting: “I owe your impetus to the fact that I have been serving Russian art for more than thirty years.”

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An excerpt characterizing Makar Chudra

- Yes, at least now, they will go to the barn, and they will listen. What do you hear: hammering, knocking - bad, but pouring bread - this is good; and then it happens...
- Mom, tell me what happened to you in the barn?
Pelageya Danilovna smiled.
“Yes, I forgot…” she said. “After all, you won’t go, will you?”
- No, I'll go; Pepageya Danilovna, let me go, I'll go, - said Sonya.
- Well, if you're not afraid.
- Louise Ivanovna, can I have one? Sonya asked.
Whether they played a ring, a rope or a ruble, whether they talked, as now, Nikolai did not leave Sonya and looked at her with completely new eyes. It seemed to him that today only for the first time, thanks to that cork mustache, he fully recognized her. Sonya really was cheerful that evening, lively and good, such as Nikolay had never seen her before.
“So that’s what she is, but I’m a fool!” he thought, looking at her sparkling eyes and a happy, enthusiastic smile, dimpled from under her moustache, which he had not seen before.
"I'm not afraid of anything," said Sonya. - Can I do it now? She got up. Sonya was told where the barn was, how she could stand silently and listen, and they gave her a fur coat. She threw it over her head and looked at Nikolai.
"What a beauty this girl is!" he thought. “And what have I been thinking about until now!”
Sonya went out into the corridor to go to the barn. Nikolai hurriedly went to the front porch, saying that he was hot. Indeed, the house was stuffy from the crowded people.
It was the same unmoving cold outside, the same month, only it was even lighter. The light was so strong and there were so many stars in the snow that I didn’t want to look at the sky, and real stars were invisible. It was black and dull in the sky, it was fun on the ground.
"I'm a fool, a fool! What have you been waiting for until now? Nikolay thought, and, running away to the porch, he walked around the corner of the house along the path that led to the back porch. He knew that Sonya would go here. In the middle of the road stood stacked fathoms of firewood, there was snow on them, a shadow fell from them; through them and from their side, intertwining, the shadows of old bare lindens fell on the snow and the path. The path led to the barn. The chopped wall of the barn and the roof, covered with snow, as if carved from some kind of precious stone, gleamed in the moonlight. A tree cracked in the garden, and again everything was completely quiet. The chest, it seemed, was breathing not air, but some kind of eternally young strength and joy.

The story "Makar Chudra", the analysis of which is given in this article, is one of the most famous works Soviet writer Maxim Gorky. It was first published in 1892 in the newspaper "Caucasus". Signed under the pseudonym M. Gorky.

History of creation

The story "Makar Chudra", an analysis of which you can read in this article, was written by Alexei Peshkov in 1892, when he was in Tiflis. At that time, the writer was just actively communicating with members of the revolutionary movement, first of all, with Alexander Kalyuzhny.

Kalyuzhny always listened attentively to the young man's stories about his wanderings, each time offering him to write them down so that he could later turn them into a story or story. Kalyuzhny was one of the first to whom Peshkov showed the manuscript of the story "Makar Chudra". The revolutionary took advantage of his acquaintances among journalists and attached the work to the Kavkaz magazine. The publicist Tsvetnitsky played a decisive role in this.

Many years later, in 1925, Gorky fondly recalled his literary debut in a letter to Kalyuzhny. He noted that he owed a lot to him, that he received an impetus, thanks to which for 30 years he had faithfully and devotedly served the national art.

The story "Makar Chudra" begins with a description of a romantic night by the sea. A fire is burning on the shore, an old gypsy, whose name is Makar Chudra, is sitting near the fire. It is he who tells the writer a fascinating story about the free gypsy people. At the same time, Makar strongly encourages others to beware of love. According to him, having fallen in love once, a person loses his will forever. In support of his words, he tells a true story, which formed the basis of this story.

In the story "Makar Chudra" the protagonist is a young gypsy named Loiko Zobar. He was known in many European countries, in which he was known as a noble horse thief. In the Czech Republic, Hungary and Slovenia, many dreamed of taking revenge on him for the stolen horses and even killing him. Horses were his main passion in life, he earned money easily, did not appreciate them, he could immediately give to anyone in need.

Events began to develop around the camp, which stopped in Bukovina. There was a beautiful girl, Radda, who had already broken more than one heart. Her beauty could not be described in words, many young people dreamed of her, and one rich man even threw wads of money at her feet, begging her to marry him. Everything was in vain. Rudda always said only one thing. An eagle has no place in a crow's nest.

Zobar comes to the camp

From this article you will learn the plot of the story "Makar Chudra". The content is described in sufficient detail. Once Zobar came to this camp. He was handsome. Gorky writes that his mustache lay on his shoulders, mixed with curls, and his eyes burned like bright stars, his smile was like the sun. There was an impression that it was all forged from a piece of iron. He also played the violin, so much so that many immediately began to cry.

And this time he played, hitting everyone around him, even Radda. She praised his abilities, and he replied that his violin was made from the chest of a young girl, and the strings of the retinue were made by the best masters from her heart. The girl was not at all imbued with this romantic comparison, noting only that people obviously lie when talking about Zobar's mind. The young man had no choice but to marvel at the sharp tongue of this girl.

For the night, the gypsy stayed overnight with Danila, Radda's father. In the morning he amazed everyone around him by coming out with a rag that was tied around his head. He answered all the questions that he was hit by a horse. But everyone around thought that the matter was completely different, it was Rudd's fault.

Meanwhile, Loiko remained to live with the camp, in which at that time things were going very well. He conquered everyone with his wisdom, as if he had lived for more than a dozen years, and played the violin in such a way that everyone's heart skipped a beat. In the camp, he came to court so much that, at times, it seemed that people were ready to give their lives for him, they loved him and appreciated him. Everyone except Radda. And Zobar fell in love with the girl deeply. So I couldn't think of anything else. The surrounding gypsies saw everything, understood, but could not do anything. They only remembered the words of their ancestors that if two stones roll one on top of the other, then it is better not to stand between them, otherwise you can be maimed.

Song of the Zobar

One evening, Zobar performed a new song, from which everyone was delighted, they began to praise him. But Radda remained in her repertoire - she ridiculed Zobar. Her father already intended to teach her a lesson with a whip, but Loiko himself did not allow him to do this. Instead, he asked Danila to give her to him as a wife.

Although he was surprised at this request, he agreed, saying, take it if you can. After that, Zobar approached the girl and admitted that she won his heart and now he takes her as his wife. Their only condition family life, she should never, under any circumstances, contradict his will. Zobar stated that he is a free man and will always live the way he wants. At first, Radda pretended to resign herself, but then imperceptibly wrapped her whip around Loiko's legs and jerked sharply. Zobar fell as if knocked down. She just smiled slyly, stepped aside and lay down on the grass.

On the same day, the frustrated Zobar fled to the steppe. Makar went after him, fearing that in such a state he might do something stupid. He watched Loiko from a distance, without betraying himself. But he did nothing at all, but only sat motionless for three hours. After this time, Radda appeared in the distance. She approached Zobar. Offended, Loiko immediately tried to stab her with a knife, but she, in response, put a gun to his head and announced that she had come here not to quarrel, but to put up, because she also loved him. But at the same time, she admitted that even more than Zobara, she loves freedom.

The girl promised Loiko a night of love and hot caresses, but only on one condition. If he publicly, in front of the whole camp, he will kneel before her and kiss her right hand, recognizing her seniority in the family. Annoyed, Zobar shouted in impotence to the whole steppe, but his love for the girl was so great that he agreed to this condition, which was supposed to put an end to his love of freedom and respect in society.

Return to the camp

When Zobar returned to the camp, he approached the elders and confessed that he carefully looked into his own heart, but did not see the former free and free life there, nothing at all. There was only one Radda in it. Therefore, he accepts her condition and in the near future bows at her feet in front of the whole camp and kisses her right hand. In conclusion, he only noted that he would check whether the girl really had such a strong heart, which she loves to show off to everyone so much.

Neither the elders nor the rest of the gypsies had time to understand what these last words of Zobar meant. He grabbed a knife and stuck it right in the heart of the beauty, up to the hilt. Radda immediately pulled the knife out of her chest, plugged the bleeding wound with her long and beautiful hair, saying that she expected just such a death.

The knife was picked up by her father Danilo and stabbed Loiko right in the back, in front of his heart. Radda remained on the ground, clutching her wound with her hand, which bled rapidly, and at her feet lay the body of the dying Zobar. This ended the story that Makar Chudra told the writer.

The story ends with the writer's confession that after hearing what he heard, he could not sleep all night. He couldn't close his eyes and stared at the sea before him. Soon it began to seem to him that he sees the royal Raddah, who is walking on the waves, and after her, arms outstretched, Loiko Zobar is swimming right on the heels. They seemed to be circling in the darkness of the night, silently, slowly and smoothly. But no matter how hard Loiko tried, he could not catch up with Radd, all the time staying behind her.

Story analysis

First of all, it should be noted that the story "Makar Chudra", the analysis of which is given in this article, is the first printed work published by Alexei Peshkov. He signed it with a pseudonym, under which over time he became known to the whole world. Now everyone knows that the author of the story "Makar Chudra" is Gorky.

Before publishing his first work, Peshkov wandered around the country for several years. He strove to get to know Russia better, to get to know and communicate with as many people as possible. He set himself an ambitious task, to understand the secret of a vast country in which there are so many poor and disadvantaged people. He dreamed of understanding why the Russian people were suffering.

By the end of this journey, he had dozens of fascinating stories to his credit, which he willingly shared with numerous fellow travelers and people who met on his way. At the same time, during the journey itself, even a loaf of bread was not always in the knapsack of the future writer, not to mention something more substantial. But there was always a thick notebook in which he kept notes and observations about everything he saw and heard. He recorded his meetings with interesting people, the events that happened, the stories they told him. Later, it was from these notes that numerous stories and poems of the writer were born, many of which he managed to publish. This is how Gorky's "Makar Chudra" appeared.

Writer's romanticism

It is worth noting that the key direction in the story "Makar Chudra" is romanticism. It's common for everyone early works Alexey Peshkov. At the center of the story we see a typical romantic hero- Loiko Zobar. For him, as for the narrator Makar, the most important thing in this life is freedom. Personal freedom, which he is never ready to exchange for anything.

In his work, Gorky describes a typical idea of ​​life and the world around him for most of the gypsies who met on his way. They sincerely believed that the peasants were slaves who were born only to dig in the ground, and at the end of their lives die without even having time to dig their own grave.

Their maximalist desire for freedom is also embodied in the heroes of this legend, which is given on the pages of the story "Makar Chudra". An analysis of this work helps to better understand this people, for whom freedom at a certain moment became more valuable than even life itself.

Heroes of the story

The main female character in the story "Makar Chudra" is Radda. This is a young, charming and beautiful gypsy. Crazy about her and Loiko Zobar, a famous violinist and horse thief. Young people love each other, but cannot afford to be together. Because in this case they will lose the most important thing that they have. Their personal freedom. In a relationship, you still have to choose which of the partners will be the leader and who will remain the follower. In this story, love and freedom are the main themes. Makar Chudra himself adheres to the same life position, therefore, like most other inhabitants of the camp, he understands young people well.

Personal freedom means so much to them that even on their own pure love they look like a chain that will still fetter their independence. Each of them, confessing his love, sets conditions, tries to dominate.

As a result, all this leads to a fatal conflict that ends tragic death both heroes. They find out their relationship in front of the whole camp. Loiko at first obeys the girl, kneels before her, recognizing her supremacy, and this among the gypsies is considered perhaps the most terrible humiliation. But as soon as he recognizes her independence, he immediately grabs a dagger and kills his beloved. Zobar himself, a minute later, dies at the hands of the girl's father, for whom this loss becomes a heavy and irreparable blow. Freedom and love in the story "Makar Chudra" become what distinguishes the heroes from most of those around them, distinguishes them from the crowd, but at the same time destroys them ahead of time.

Composition features

The main feature of the composition of this work is that the author puts the story into the mouth of the protagonist, who leads the story. Before us, the events of a romantic legend are unfolding, which helps to better understand inner world characters and their value system.

In the story "Makar Chudra" problems are raised, relevant both at that time and now. What is more important for a person - love or personal freedom? For most of the characters in this work, freedom is more important than even their own lives.

Narrator Makar is convinced that love and pride are two wonderful feelings. But when they reach their highest expression, they are no longer able to reconcile with each other. In his view, a person must necessarily preserve his personal freedom, even at the cost of his life.

Another one compositional feature- a narrator who is almost invisible. We only know that Makar Chudra tells his story to him. The meaning that the author puts into this feature of the composition is that he does not agree with his hero. At the same time, he does not directly object to the gypsy. But at the end of the story, when he admires the sea, he shows his own opinion on this matter. He admires the pride and independence of the heroes, but at the same time he cannot accept the fact that these traits mean loneliness and the impossibility of being happy for them. The writer, and after him the author himself, believe that they are slaves of freedom.

Artistic techniques

To better convey his ideas to readers, the author uses a large arsenal artistic techniques. For example, seascape frames the whole storyline story. The image of the sea is directly related to the state of mind of the characters. At the beginning of the story, it is calm and peaceful, but over time everything changes, and when it starts to rain, the sea is already truly roaring. Silent and angry.

A striking feature of this work is its musicality. Throughout the story, Zobar plays the violin, conquering everyone around him.

The first printed work of Maxim Gorky was the story "Makar Chudra". An analysis of it allows us to understand that, despite his youth and inexperience, the author managed to organically depict the life of gypsies and convey the fullness of their feelings. For Gorky, wanderings through vast Russia were not in vain. The writer did not always have something to eat, but he did not part for a minute with a thick notebook in which he wrote down unusual stories, legends, some interesting events from the life of random companions.

Gypsy love story

Analysis of "Makar Chudra" shows the author of the work in the form of a romantic writer. The main character of the story is an old gypsy who is sincerely proud of his free life. He despises peasants who are already born slaves, whose mission is to dig in the ground, but at the same time they do not even have time to dig their own grave before death. The heroes of the legend told by Makar are the embodiment of the maximalist desire for freedom.

Radda and Loiko love each other, they are happy together, but they are too obsessed with personal freedom. An analysis of Makar Chudra shows that the main characters even looked at love as a hateful chain that fetters them and diminishes their independence. Confessing their love, young people set conditions for each other, while each of them strives to be the main one in a couple. Gypsies never kneel before anyone, this is considered a terrible humiliation, but Loiko yields to Radda and bows before her, immediately killing his beloved, and then he himself dies at the hands of her father.

Comparison of the value system of the gypsy and the narrator

Analysis of "Makar Chudra" shows that for the protagonist Radd and Loiko are the ideals of love of freedom. The old gypsy understands that the highest degree of pride and love cannot get along together, no matter how wonderful these feelings are. But he is sure that every person must defend his freedom, even at the cost of his own life. Gorky's story is interesting for the presence of a narrator in whose image the author himself is guessed. His influence on the work is imperceptible, but still sufficient for the writer to be able to express his own thoughts.

Gorky does not agree with all the judgments of the old gypsy. Makar Chudra (an analysis of the story shows the author's admiration for the heroes of the legend) does not receive direct objections from the narrator, but at the very end, summing up the story, the author says that young people have become slaves of their freedom. Pride and independence make people miserable and alone.

nokimi, because sometimes you still have to sacrifice your interests for the sake of relatives and loved ones.

Musicality of the story

An analysis of "Makar Chudra" shows how successfully the writer used the technique landscape sketches. The frame of the whole story is the sea, which clearly expresses the feelings and state of mind of the characters. The work is filled with musicality, it is even said that one can only play the violin about the beauty of Radda. The story of Maxim Gorky immediately attracted attention with the brightness of images and a memorable plot.