Whom Molchalin loved in grief from his mind. Characteristics of Molchalin in “Woe from Wit” (with quotes). Positive character traits

A character in the comedy “Woe from Wit” (1824) by A. S. Griboyedov (1795 1829). Type of careerist, pleaser, conformist: (Act. 4, Rev. 12): “My father bequeathed to me: first of all, to please all people without exception,” etc. A common noun for flatterers, sycophants,... ... Dictionary winged words and expressions

The central character of the comedy "Woe from Wit" (1824). The significance of this image was realized over the course of historical time. N.V. Gogol was the first to notice something important in the appearance of the modest secretary Famusov: “this face, silent, low, is aptly captured... ... Literary heroes

Wed. ...My father bequeathed to me, Firstly, to please all people without exception: the Master, where I happen to live, the Chief, with whom I will serve, his Servant, who cleans dresses; To the doorman, to the janitor to avoid harm, to the janitor’s dog, so that it is affectionate... ... Michelson's Large Explanatory and Phraseological Dictionary

Molchalin. Wed. ...My father bequeathed to me, First of all, to please all people without exception: the Master, where I happen to live, the Chief, with whom I will serve, his servant, who cleans the dresses; To the doorman, to the janitor to avoid evil, to the janitor’s dog, so that... ... Michelson's Large Explanatory and Phraseological Dictionary (original spelling)

M. 1. Literary character. 2. Used as a symbol of a person who hides his own opinion and wants to please all superiors or influential persons with his silence. Ephraim's explanatory dictionary. T. F. Efremova. 2000... Modern explanatory dictionary of the Russian language by Efremova

Molchalin- Silently Alin, and... Russian spelling dictionary

Molchalin- (2 m) (lit. character; also about a careerist and a sycophant) ... Spelling dictionary Russian language

Molchalin- a character in A. S. Griboyedov’s comedy Woe from Wit (1824) a hypocritical, obsequious careerist who declared Ch. Its virtues are moderation and accuracy. His name became popular. meaning, and for the first time this happened in the text itself. (formula... Russian humanitarian encyclopedic dictionary

- ... Wikipedia

Books

  • Woe from Wit, Alexander Griboyedov. The play takes place in Russia, in the twenties of the 19th century. To the house of the old Moscow master Pavel Afanasyevich Famusov, a government manager, a convinced serf owner and a fierce... audiobook
  • Poems for children from younger to older age, Nikolai Aleksandrovich Dobrolyubov. “...In the bibliography of our magazine, it was already mentioned last year about “congratulatory poems” by Mr. Fedorov. All sections are what you would expect from the author of “congratulations.” Despite…

Plan

1. Introduction

2.Molchalin’s activities

3.Molchalin’s views

4.Molchalin’s attitude towards women

5.Conclusion

Introduction

IN immortal work“Woe from Wit” A. S. Griboyedov described several common in his era collective images. As time shows, its characteristics are still relevant today. For any social system and level technical development There will always be our own Chatskys, Famusovs, Molchalins. The last image is the most numerous and indestructible. Adulation, servility and sycophancy for the sake of one's own gain are extremely common social vices. Unfortunately, every person has their own Molchalin. The only difference is the extent to which he is allowed to carry out his shady dealings.

Molchalin's activities

One of the main negative characters of the comedy is Famusov's secretary, who lives in his house. A. S. Molchalin, apparently, is not a rich man. From childhood, his father taught him to “please all people.” Having entered the service of Famusov, Molchalin became not only his secretary, but actually a personal servant who was ready for any service, even a crime. The author hints at the not entirely pure nature of Famusov’s affairs in the first act (the papers “cannot be used”, “there are contradictions”).

The penchant for scams and secret money transactions is in Molchalin’s blood and is confirmed by all his actions and deeds. Alexey Stepanovich's attitude towards Famusov is outwardly extremely respectful and respectful, sometimes reaching the point of humiliation. In fact, Molchalin doesn’t care about his own human dignity. He is driven only by the thirst for profit and improvement of his social position. He is convinced that in this life everything depends on money, absolutely everything can be bought or sold. He works as a secretary only until he makes a sufficient fortune and can himself become like Famusov. This is his idea of ​​an ideal life path.

Molchalin's views

Alexey Stepanovich doesn’t have any special strong convictions. The first time he expresses his views in detail is in a conversation with Chatsky. Above all, they value “moderation and accuracy.” Molchalin believes that he is distinguished by precisely these qualities. Interested, Chatsky continues to ask questions, trying to understand what kind of person is in front of him. Alexey Stepanovich cites Tatyana Yuryevna and Foma Fomich as authorities.

From Chatsky’s words it is clear that these are extremely stupid and limited people, whose entire merit lies in wealth. But for Molchalin they are indisputable models that should be followed. Finally, Chatsky extracts from Molchalin his main characteristic: “At my age, one should not dare to have one’s own opinions.” He explains his idea by saying that his small rank forces him to depend on the “powers of this world.” Incapable of cunning, Chatsky concludes that his interlocutor is simply a fool. In fact, Molchalin is far from being so stupid. Subsequently, he will partially reveal his innermost thoughts to Lisa.

Alexey Stepanovich in his soul deeply despises everyone before whom he humiliates himself. He does this out of necessity, dreaming of taking the place of his “idols”. However, Molchalin will never use his innate intelligence and education for an honest and noble cause. Having become a big boss, he will happily become a new “idol” who will also demand boundless respect and deference from his subordinates. Molchalin is convinced that this is the only thing that holds the whole world together.

Molchalin's attitude towards women

Love for Alexey Stepanovich is the same product and a way to achieve his goals. His courtship with Sophia is caused by the desire to please Famusov even more. He is as honest as possible towards Lisa, but he tries to win her affection exclusively with the help of expensive gifts. Molchalin simply does not understand that people have any feelings other than the desire for enrichment and power.

Conclusion

Molchalin is a collective negative image of a person for whom there are no high ideals. Such people are ready for any humiliation for the sake of money. Having gained power and authority, the Molchalins will be able to widely spread their poisonous influence. This will lead to the emergence of more and more low and vile people, replacing honesty and truthfulness with deceit and corruption. It is important for any society that there are as few Molchalins in it as possible.

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In Griboyedov's comedy "Woe from Wit" the main opposing array of events occurs in the images of Chatsky and Famusov. The remaining acting characters help reveal the true state of affairs and the depth of the conflict.

Origin and occupation

One of these characters, with the help of which the tragedy of what is happening is enhanced, is the image of Alexei Stepanovich Molchalin.

We invite you to familiarize yourself with A. Griboyedov’s comedy “Woe from Wit.”

Molchalin does not belong to the aristocracy - he is a man of ignoble origin, but thanks to his service, he has access to high society.

Alexey Stepanovich has not yet managed to rise to significant heights - he currently only holds the position of Famusov’s secretary, but he holds out hope for a quick career advancement, which arouses Famusov’s special love.

Pavel Afanasyevich allocated a room in his house for Molchalin, although it is difficult to call it a full-fledged room: it is most likely a small closet, but Molchalin, deprived of fate, is quite happy with this.

Alexey Stepanovich has been working as Famusov’s personal secretary for three years now, however, he is registered in a completely different position - based on official data, Molchalin works in the archives department, but in practice this is a fictitious thing, he is just listed there. However, not without benefit for himself - during such service he received three awards.

Of course, this was Famusov’s exceptional work. This situation is also beneficial to Famusov and allowed him to get out of a difficult situation - he provided himself with a good secretary and, moreover, he had to pay out of his own pocket.

The text mentions Molchalin's rootlessness, but there is no exact explanation. Based on this, several assumptions can be made regarding the essence of such a statement. The first is that Molchalin is a man of simple origin, the second is that he is an orphan, that is, a person without a family.

The writer portrays Alexei Stepanovich Molchalin as an adult man. At the same time, Molchalin rejects even the possibility of his infantility. Famusov, for whom the hero serves, takes advantage of Alexei’s position. Officially, the hero works in the “Archives” because Famusov agreed so. However, this is a simple formality for obtaining ranks. Molchalin’s real place of work is Famusov’s house. The latter provides its employee with food, drink, shelter, and career advancement. Molchalin, apparently, knows how to please Famusov.

Before working with Famusov in Moscow, the hero lived in Tver. Molchalin, of course, is not a rich man at all. The simplicity of the hero’s origin makes us make the assumption that Molchalin is a tradesman. According to the Table of Ranks, the hero holds the rank of collegiate assessor. This rank gives the right to nobility, which is what Molchalin achieves. The man even manages to receive awards, in which Molchalin was probably helped by his master.

Symbolism of the surname

The image of Molchalin carries symbolic features. This is primarily due to his last name. It is based on the verb “to remain silent.” And indeed, this word is an accurate reflection of the essence of Molchalin. He is Famusov's silent and faceless servant. Even his step is devoid of any sounds. It seems that he wants to be as unnoticed and quiet as possible.


From time to time, Alexey Stepanovich moves on tiptoe so as not to disturb his household. This behavior is one of the ways to achieve his life goal.

Purpose of life

While most aristocrats are devoid of purpose in life and lazily live their lives without filling it with any meaning, Molchalin’s life is bright pronounced character. His goal is to succeed and achieve significant achievements in life. Achievements in the eyes of Molchalin are in no way connected with improving the lives of ordinary, ignoble people or promoting the development of morality of the aristocracy. Alexey Stepanovich’s highest goal is to become a full-fledged representative high society.


Molchalin is ready to die for the next promotion, so he serves Famusov with all his might - it is Pavel Afanasyevich who can help him achieve this goal. And Molchalin had already overcome the first step on this steep ladder - thanks to his ability to suck up and please the Famusovs, he was given the rank of collegiate assessor. Thus, Alexey Stepanovich turned from a commoner into a poor nobleman. Molchalin found a special charm in the fact that his rank tended to be inherited.

Molchalin and Sofya Famusova

You can further improve your position in society through a profitable marriage. For this, girls needed to have a charming figure and an equally charming face. In the case of male half It was enough for society to have a helpful character. It is the ability to serve well that becomes the criterion for favor. Despite his low origins and financial insolvency, in the eyes of Famusov, Alexey Stepanovich looks like a more attractive son-in-law than the noble aristocrat Chatsky. The fact is that Pavel Afanasyevich believes that such wealth and diligence, which Molchalin possesses, can compensate for his origin and achieve an advantageous position in society. To achieve a final advantage over other young people, Molchalin can only accumulate significant capital or start attacking Famusov from another front - if Sonya falls in love with Alexei Stepanovich, then she will be able to convince her father to make a decision in his favor.

Alexey Stepanovich accelerates this process by beginning to show interest in Famusov’s daughter, Sophia.

Relationships between young people are in the best traditions platonic love– Molchalin does not allow anything unnecessary towards the girl.

Thus, he demonstrates his respectful attitude towards Sophia and the seriousness of his intentions. In addition, such behavior contributes to achieving his goal with marriage - Molchalin does not need to possess Sonya, he needs to become her husband, so debauchery is an unacceptable thing for him.

We offer a comparison in A. Griboyedov’s comedy “Woe from Wit.”

In communicating with Sophia, Alexey Stepanovich adheres to the same principle as with her father - he pleases her all the time. Naturally, Molchalin’s behavior differs sharply from the behavior of other aristocrats towards her. Young people of noble origin are not ready to grovel before Sonya the way Molchalin does, which is why they do not arouse such interest in her.

To some extent, Famusova’s affection for Molchalin was caused by the lack of proper candidates - after Chatsky’s departure, the girl chooses the least evil from the remaining ones. At the time of the emergence of attachment and the beginning of communication, Sonya did not experience enthusiasm and love attraction for Molchalin, her act could be regarded as revenge on Chatsky, but as a result, such an act did not bring the desired effect, Sonya eventually got used to Molchalin’s oddities and began to perceive them as ordinary things . In Molchalin, Sonya has found a wonderful “living toy”; he not only treats her with adoration (which, as it turned out, was feigned), but is also ready to fulfill any of her desires.

Chatsky and Molchalin

The conflict between Chatsky and Molchalin was a priori predetermined - an honest and noble aristocrat cannot understand and accept the position of Famusov and his society, Alexey Stepanovich, who is not only dependent on Famusov, but also strives to become like them, could become an excellent opponent to Chatsky , if he had more persistence and individuality, however, since Alexey Stepanovich is used to being a silent observer and never revealing his attitude to certain situations, there is no heated discussion between the characters.

In addition, the insightful Chatsky notices Alexei Stepanovich’s strange attitude towards Sonya Famusova. Over time, he discovers Molchalin's true attitude towards the girl and his ghostly love. Chatsky is amazed double standards Molchalin - on the one hand, he is ready to flatter immensely, but, on the other hand, he does not immediately neglect to publicly announce his disdain and even disgust for those whom he idolized just a couple of minutes ago.

Attempts to open the eyes of others to the fallacy of their opinions do not lead to anything good - it is more flattering for others to perceive their superiority than to realize that all the respect towards them was a farce.

Molchalin and Lisa

No matter how two-faced Molchalin may be, he still sometimes reveals his true feelings and intentions. This state of affairs is not exposed in discussions or small talk (since he tries in advance not to take part in them).

So, for example, Alexei Stepanovich develops a feeling of affection and love towards the maid in Famusov’s house, Liza. The hero of the story is faced with a choice - to play his role as Sonya's lover to the end or to confess his feelings to Lisa.

Unfortunately, as a dishonest person, Molchalin is not limited to this state of affairs and cares for two girls at once.

Thus, Alexey Stepanovich Molchalin is a classic version of a character playing a double game. This trend continues in the case of Molchalin in all types of activities. He is hypocritical towards Famusov and plays with Sonya’s feelings.

Alexei Stepanovich is characterized by resigned and silent servility. For the sake of moving up the social ladder, he is ready to do even the most immoral acts. The image of Molchalin has become a household name and is used in relation to a dishonest, hypocritical person.

Character of Molchalin

The hero makes a double impression. On the one hand, Molchalin pleases everyone (the man is a real master at this), he is shy, helpful, timid, calm, timid, modest, quiet, “wordless.” He is characterized by accuracy, moderation, and lack of criticism of others. This is probably why they love him. But on the other hand, the hero is also characterized by duplicity and hypocrisy. Molchalin is considered a well-mannered and polite person; the hero evokes sympathy among those around him. Society does not see the true nature of the hero. On the contrary, in Molchalin they see a selfless person, ready to forget about his own interests for the sake of others.

However, Molchalin pleases and remains silent for the sake of self-interest, in order to achieve his goal. This was the parting word the father gave to the hero. The hero's behavior depends on the circumstances. For example, with Famusov’s daughter the man behaves emphatically politely and modestly. But Molchalin does not truly love Sophia. The hero is in love with Lisa. However, there is no need to behave decently with a simple girl. The true face of Molchalin is seen, perhaps, only by Chatsky, who considers the assessor a stupid, cowardly and pathetic person. However, Vyazemsky, on the contrary, emphasizes the hero’s prudence and rational approach to life. Molchalin's soul is cold and callous. The maid Lisa later speaks about this.

The work “Woe from Wit” by A.S. Griboyedov belongs to the comedy genre, the events took place at the beginning of the 19th century, in it the author showed images of Moscow nobles. The main theme of the work can be identified as the confrontation between the present century and the past, the difficult change of old ideals to new ones. On the side of the last century there was a significant number of people in comedy, one of them was a young nobleman who did not yet have any ranks of Molchalin. His task was to serve influential people.

Molchalin himself was a poor nobleman, born in Tver. In the comedy, he lived in Famusov’s house, who in turn took Molchalin as his secretary. Molchalin falls in love with Famusov's daughter and secretly meets with her. Famusov is an opponent of such relationships, because he believes that his daughter needs an influential husband with ranks. Although Molchalin does not meet these requirements, he has another quality that was appreciated by the inhabitants of Famusov’s house. He tried his best to serve in every possible way, and this attracted attention. That is why he managed to get the position of secretary, where business qualities are important, not honor.

In the work "Woe from Wit" the image of the protagonist can be called the standard behavior of a young nobleman surrounded by him. We see how he tries to serve, and if necessary, even humiliate himself in front of the influential guests of Famusov’s house, all this goes with the expectation that they can be useful in life and further service. Molchalin even took it for granted to praise the fur of Khlestova’s dog. To describe the hero, a quote is suitable that says that while “we are small in rank,” “we must depend on others.” He believes that while you are young, you don’t have to have your own opinion.

Famus society was famous for its boasting trait; at every opportunity it was common to praise new successes, and Molchalin was the same. He was a frequent guest of Princess Tatyana Yuryevna. Although in character and behavior Molchalin was the same as everyone else in society, although he agreed with everyone and supported ideas, this did not stop him from resorting to meanness. For example, his love for Sophia was only a fiction and he did it for his own benefit. In fact, he opens up sincerely when communicating with the maid Lisa, whom he liked. And here another character is revealed to the reader, you see that there is duplicity in him, which means such a person is dangerous.

There is not a drop of respect or warmth in his soul and heart for Sophia. He takes a great risk when he begins to secretly see Famusov’s daughter, because he was constantly in a state of fear that they would be noticed. This expresses cowardice. For Molchalin, an important role was played by the fact that he was worried about the opinions of others, and he was also afraid of what others would think of him. This meanness and deceit of his destroys him, because he begins to harm those with whom he has been surrounded for a long time. He remembered the words of his father, which said to please everyone without exception, which Molchalin followed. Based on this, we can draw a conclusion about the hero’s attitude to the description of the ideal last century, despite the fact that he is still young.

The author showed Molchalin as a worthy continuation and example of conservative nobles. Such a society is characterized by the fact that for them rank and money come first; these two categories allow them to evaluate others. As already mentioned, Molchalin was cunning and two-faced, these are the two main qualities that describe the hero.

Griboyedov touched upon a problem in his comedy that is still relevant today. After all, many cases are known when there were the same people who did not see anything in their way and were ready to go through everything for the sake of their goals. This topic will be relevant as long as there are people among us with the same values ​​as Molchalin and his society.

Essay on the topic Molchalin

The comedy “Woe from Wit,” written by Alexander Sergeevich Griboedov from 1822 to 1824, tells the story of secular society and life of those times. One of central characters The work is Alexey Stepanovich Molchalin, a man from the common people, striving for career growth.

Molchalin seems to be a decent young man, distinguished by his kindness and modesty. But in fact, all these qualities are just a mask that the hero uses to achieve his goals. His dream is a career, high rank and wealth. Respect among high society is the limit of his happiness. There are many in various ways to achieve these goals. But Molchalin chooses the fastest and most negative one. He takes steps towards his dream with the help of flattery, hypocrisy and duplicity. He does it so subtly and imperceptibly that many may envy.

The hero worked as a secretary for Famusov, a rich and respected man. He did all the work conscientiously, spoke kindly and carefully, which is why Famusov liked him. He treated his master's daughter, Sophia, even better and even dared to play a young man in love. Naturally, he does not experience any high feelings towards the girl. On the contrary, he despises her and establishes relationships solely for his own benefit. Once, having offended a girl, he throws himself at her feet. The reason for this was far from repentance, but the fear of losing the trust of his master Famusov. Another person who was lucky enough to hear lies from Molchalin was Khlestova. He kindly played cards with her and complimented her dog. In fact, people are very pleased with such behavior towards them. Molchalin showed hypocrisy and helpfulness towards everyone living in the house: from servants to management. This was the hero's plan, which he strictly adhered to.

Thus, Molchalin in Griboyedov’s comedy is a negative character. The reader cannot see any positive traits of the hero, but sees only hypocrisy and the desire to achieve a dubious goal through dirty means. With the help of this character, the author reveals a serious problem that still exists today. People who do not strive for anything high, but for fame and money, are ready to go over their heads and put on a mask of sincerity. Usually, having achieved their goals, such people live unhappy and lonely.

Option 3

In his comedy "Woe from Wit" Griboyedov talks about the nobles of Moscow in the 19th century, it was then that society split into conservatives and those who were impressed by the ideas of the Decembrists. The main idea of ​​the work is the contrast between the present century and the past century, the replacement of outdated ideals of the nobles with completely new ones.

There are a huge number of supporters of old ideals in comedy. Admirers of the old principles are weighty and significant people in society, such as the landowner Famusov, Colonel Skalozub, and the younger generation, who are simply forced to serve the “old men,” also serve the old nobles. Molchalin is one of these young people who is forced to serve the old nobles with their orders.

Molchalin himself is a poor nobleman, born in Tver, he lives in the house of Famusov, who gave him the rank of assistant and hired him as a secretary. Molchalin is also the lover of Famusov’s daughter, but Famusov himself does not know about this. The father does not want to have a son-in-law like Molchalin, because in Moscow it is customary to have rich relatives. Famusov appreciates in people the desire to serve him, and this is how Molchalin, with the help of his helpfulness, receives such positions.

In this play, the image of Molchalin very accurately corresponds to the nature of the command of a young, fragile nobleman in an influential society. Molchalin tries to curry favor with distinguished guests in Famusov’s house as much as possible, because they can be useful for his further career growth. The young nobleman has sunk to the point where he begins to praise the fur of Khlestova’s dog. He believes that lower-ranking nobles should thus earn respect from their elders.

He, like all the characters in this comedy, considers it his duty to brag and be proud of his successes in career advancement. Molchalin is excellent at establishing connections with the people he needs, who can help him in his career. Molchalin brings enormous damage to the society in which he is located. He also deceives Famusov’s daughter, because he is courting her only for the sake of service to her father. He is the kind of person who will stop at nothing to achieve his goal, and is capable of causing enormous damage to the society in which he is located.

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  • Our country, I see, respects its past, lives in the present, but, of course, looks to the future. To a very good future.

    The epithets that are awarded to Alexei Molchalin are a flatterer, a sycophant and a heartless rogue. The anti-hero of the comedy “Woe from Wit” appears before readers as a truly grotesque figure, whose description is full of sarcastic clichés. And according to the law of the genre unpleasant guy, who stole the heart of a naive girl, will be exposed. Alas, such a plot is most often only possible in plays.

    History of creation

    Molchalin is colorful and bright character, with the help of which he exposed the typical secular society times of serfdom. The writer created the first sketches of the comedy “Woe from Wit” back in 1820.

    The results of the work, which lasted for four years, did not satisfy the author. In 1824, Griboyedov, while editing the resulting work, partially rewrote the character of Molchalin. The writer adds final scenes to the comedy, thereby exposing the secretary to the other characters.

    The first attempts to publish “Woe from Wit” took place in December of the same year. Alas, censorship softened the characters’ remarks, smoothing over the acute social issues that Griboyedov raised. For example, Molchalin’s phrase “After all, you need to depend on others” was replaced with “After all, you need to keep others in mind.”

    The comedy, not burdened by the censor's edits, was published only in 1831, and the play was specially translated into German. The Russian-language version of the poetic work appeared in Moscow in 1833.


    Criticisms about the play mainly touched on the confrontation and Molchalin. Despite the secretary’s numerous censures, the hero’s life values ​​are clear and correspond to the spirit of the times. This was subtly noted:

    “Chatsky says about Molchalin that he used to be so stupid that he is the most pitiful creature. Molchalin took it as a rule: moderation and accuracy. Let’s ask: what’s stupid and funny here?”

    "Woe from Wit"

    The plot of Alexander Griboedov's comedy develops on the territory of a landowner's estate. The elderly man’s household has long been established; a secretary helps the man with work matters, full name whom Alexey Stepanovich Molchalin.


    The man lives in his employer’s house, so he easily starts a relationship with Sofia Famusova. Young people spend a lot of time alone, talking about personal topics. Molchalin's biography undergoes drastic changes when Chatsky returns to his homeland.

    The men disliked each other from the first minutes. Chatsky intends to understand the reasons strange behavior beloved. Molchalin is afraid that the secret affair will be revealed. The secretary does not want to lose his advantageous position, but the opportunity to become the son-in-law of a wealthy aristocrat is too tempting.


    The girl herself has long lost interest in Chatsky and can hardly restrain herself so as not to reveal her secret. When Molchalin falls from his horse, the youngest Famusova cannot cope with her emotions. People around them begin to suspect that there is a secret connection between the heroes.

    Having ridiculed the secretary's views on life, Chatsky incurs the girl's wrath. Gossip, intrigue and class prejudice surround people's relationships. Molchalin's well-fed life ends at the moment when, succumbing to feelings, the secretary opens his hands and confesses his insidious plans to the maid Liza.


    The intimate conversation and unpleasant statements are heard by Sophia herself and the angry Chatsky. At this moment, the social problems of Russian officials and the love drama are mixed together. Molchalin is expelled from a rich house, and his rival bitterly concludes:

    “Silent people are blissful in the world!”

    Image and character

    The debate about whether Molchalin is pitiful or terrible does not subside among connoisseurs classical literature. Quote characteristic the character will put everything in its place, because Griboyedov expressed his attitude towards the character through the remarks of Molchalin himself and the people around him.


    The hero of the comedy grew up in Tver and moved to Moscow in adulthood. The young man is poor, grew up in a middle-class family. His father also worked in service, so from childhood Molchalin was accustomed to groveling before strongmen of the world this:

    “My father bequeathed to me: firstly, to please all people without exception - the owner where I happen to live, the boss with whom I will serve.”

    The secretary follows his father’s precepts, so he settles into Famusov’s house with ease and comfort. Officially, the young man is listed in the “archives,” but in fact, he performs the duties of the landowner’s personal assistant. During his service, the man managed to receive three awards, which Molchalin is boastfully proud of.


    Illustration for the comedy "Woe from Wit"

    Part of the secretary's characteristics are revealed through the character's appearance. An attractive young man with a slender figure. A man dresses neatly and takes care of his own manners:

    “Helpful, modest, with a blush in his face...”

    The suit is a unique way for Alexei Stepanovich to achieve his own goals in life. A modest frock coat, colored vest and light trousers help Molchalin move up the career ladder. After all, the status of a creeping servant allows you to achieve a promotion faster. Yes and quiet young man It’s easier to gain the favor of the boss’s daughter.


    The image of a modest and reserved person is exploited by Griboyedov even through the hero’s surname. This is what Chatsky thinks about the unpleasant hero:

    “Have you not yet broken the silence of the seal?<...>However, he will reach the well-known levels, because nowadays they love the dumb.”

    New sides of Molchalin’s character are revealed in the context of the secretary’s relationships with women. Ambition forces a man to look after Sophia, while Alexey is interested in the maid Lisa. The hero is not embarrassed that such actions are a sign of hypocrisy and duplicity. After all, in the struggle between aristocracy and bureaucracy, any methods are good.


    Misbehavior has consequences for a liquid and resourceful person. Alexey Stepanovich was caught red-handed, and various subterfuges will not save the bureaucrat. However, even after excommunication from a rich house, Molchalin will easily arrange his own life, because, as he wrote:

    “Molchalin is devilishly smart when it comes to his personal gain.”

    Film adaptations

    In 2000, a video version of “Woe from Wit” was released, directed by. The play was included in the 5 most expensive stage projects in Moscow. The actor embodied the image of Molchalin.

    Quotes

    “Often we find patronage there where we don’t aim.”
    “This frankness would not harm us.”
    “What can’t you do to please the daughter of such a man.”
    “Ah, evil tongues are worse than a pistol!”
    “I dare not pronounce my judgment.”
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