Nikolai Vasilyevich Gogol is a great Russian writer. His works are immortal: the typicality of Gogol's characters goes far beyond the time in which the writer lived and worked. One of these “eternal” works is the play “The Inspector General”. In the comedy, Gogol decided to laugh at what is “really worthy of universal ridicule.” In his play, he managed to “collect in one pile everything bad in Russia” that he knew then, all the injustices. The theme of “The Inspector General” itself was of an acute political nature. But the most important thing that Gogol wanted to show was not the vices of individual people, but the false concepts of responsibilities inherent in most officials of that time. Thanks to this, a small provincial town, where arbitrariness reigns, where there is not even police order, where the authorities form a group of swindlers and robbers, is perceived as a symbol of the entire Nikolaev system.

One more step

This fear is caused by the thought that you will have to relive the inspection of the inspector, that again you need to be afraid and wary of the auditor’s verdict. And since chaos, disorder and bribery reigned in the city, the heroes of the county town were seriously frightened and crumpled with fear.

How masterfully N.V. Gogol describes the characters of city residents who froze in place and were petrified for a moment. Some of them bowed their heads, others froze like a pillar.

The judge, in surprise and unexpected news, sat down to the ground and barely moved his lips. The mayor threw his head back to the sky and thought about why all this fell on his shoulders.

Important

It is in the episode of the “silent scene” that the reader can examine in detail the image of everyone present, because it is at such a moment that the most important character traits are revealed. In his work, N.V. Gogol vividly criticizes the Russian people.

Why does the comedy “The Inspector General” end with a “silent scene”?

He seems to see everything vigilantly (he is “a very intelligent person in his own way”), thoroughly prepares the defense, but inadvertently overlooks many things (forgot, for example, to order the hotel where the visitor should stay to be put in order). The mayor wanted, but forgot to warn about the neglected legal proceedings and about the court itself, where geese roam; he combined important instructions with insignificant ones, put on a paper case instead of a hat, ordered the workers to “take up the street” and sweep the city. Frightened by the upcoming audit, the hero is so overcome by fear of the imaginary authorities, finding out “sins”, that he ingratiatingly fawns over Khlestakov and humiliates himself , being overweight and respectable, bends before the “strong”, before his superior, “even though he is just a rag.”

Please, why does The Inspector General end with a silent scene? I need an essay..)

Works › Gogol N.V. › The Inspector General Ready Homework Gogol’s comedy “The Inspector General” brought “Russian characters” to the stage. Before this, theaters played mainly only translated foreign plays. Of the Russian works, only “The Minor” by Fonvizin and “Woe from Wit” by Griboyedov could be named. In The Inspector General, “our rogues” were ridiculed, but, moreover, social vices and “social ulcers” were revealed, which were the product of the autocratic serfdom system.
Bribery and embezzlement, common among government officials, were shown with such vividness and convincingness by Gogol that “The Inspector General” became an exposer of the existing system not only of Gogol’s time, but of the entire pre-revolutionary era. The plot for writing “The Inspector General” was suggested to the author by A.S. Pushkin.

Why does Gogol end the comedy “The Inspector General” with a silent scene?

The poet once found himself in a similar situation: in 1833, while collecting materials on the history of the Pugachev uprising, he was mistaken by the local governor for an auditor sent to inspect the provincial administration. Laughing at the negative phenomena of life, Gogol makes you think about them, understand all their harmfulness and try to get rid of them. His “The Inspector General” could not help but play a very important role in the development of public self-awareness. The remarks regarding the curtain at the end of each act are extremely interesting.

The finale of the last act, which ends with the arrival of the gendarme, is especially expressive. The remarque reports that everyone present is struck as if by thunder: “The sound of amazement unanimously flies from the ladies’ lips” and “the whole group, having suddenly changed their position, remains petrified.”

The ghosts seemed frozen and petrified. The author's judgment on them has been completed. Closely related to the ending of the comedy is the epigraph to it: “There is no point in blaming the mirror if your face is crooked.” It is the “crooked faces” of the main characters that we see in the “silent scene”.

Attention

In fact, the Mayor, who combines scale and pettiness, breadth of strategy and narrowness of tactics, gives operational orders, widely covers the departments of city government at a time of menacing danger, orders to quickly sweep up the old fence and put up a straw milestone so that it looks like a layout. But at the same time, the hero follows a comical rule: “The more it breaks, the more it means the activity of the city ruler.”

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The climax of The Inspector General can be called the scene of Khlestakov’s boasting and lies, and the denouement is the “silent scene”, which is rightfully considered Gogol’s brilliant invention. This scene has a special meaning. Outwardly, it is explained by fear from the appearance of the gendarme, who announces the arrival of the real auditor, replacing the imaginary one. However, Gogol did not show the result of the appearance of an important official; the reader knows nothing that the carriers of vice are severely punished by a representative of the highest authority. In the comedy “The Inspector General”, attention was focused on the very effect of shock for literally all the characters, regardless of the degree of their “guilt” and participation in the events. Stage-wise, this was expressed by an extensive mise-en-scène, or “silent scene”, which in its duration (“almost a minute and a half” ) deviated from all accepted norms.

Why does the comedy The Inspector General end with a silent scene?

Gogol's brilliant comedy was written in St. Petersburg in the autumn of 1835 - in the winter and spring of 1836. It is believed that the plot of the play was suggested to Gogol by A.S.

Pushkin, and also based on real facts Russian reality, in which there were often cases with “imaginary” auditors. The author based the play on an anecdotal situation, but at the same time he deeply generalized it, showing in its example a broad picture of modern reality. The plot of the comedy has social character; everyday phenomena demonstrating the main aspects of life modern Russia, came to the fore; It was not personal clashes and “private interests”, but the general “fear of retribution” that struck the city that became the center of the conflict. Gogol presented a group of city rulers at a moment of “emergency,” when events, confirmed by rumors, letters, dreams, and signs, sharply escalated. Composition plays an important role in understanding the meaning of the play.

Why does Gogol's comedy The Inspector General end with a silent scene?

In The Inspector General, the silent scene is the climax, and it should be the most eloquent. Freezing in an expressive pose (in this case, the poses of all characters are different, which emphasizes their individual personal qualities) is a real pantomime.

The mayor, members of his family, the postmaster, Strawberry, Luka Lukich - all of them become mimes for some time, actors in the “theater of facial expressions and gestures.” And words are not needed here, maybe even unnecessary. Posture and facial expression can express an incomparably greater surge of emotions than words. Moreover, the silent scene in “The Inspector General” is also massive - everyone stands as if struck by thunder, and this circumstance once again emphasizes how shocking and stunning the news was for all the characters that “... an official who arrived by personal order from St. Petersburg demands you to come to him this very hour.”

Essay on why the comedy The Inspector General ends with a silent scene

The image is motionless, static, but at the same time the faces of the people depicted in the picture, their figures, the poses they take, testify to their internal state better than any words. The eloquence of static scenes, their expressiveness - these are precisely the properties that were subtly noticed by N.

V. Gogol and later were successfully used by the writer. After all, “The Inspector General” is far from the only work of the writer in which there is a “silent scene” (in another extremely popular work - the story “Viy” - the author also uses this technique).

If we consider artistic techniques, used by N.V. Gogol, in more detail, one can notice a certain pattern: the technique of “death”, a kind of “petrification” is the basis for the depiction of many characteristic Gogol characters (for example, the same landowners in “ Dead souls»).
Home / Works on Russian literature / Gogol N.V. / Why does Gogol end the comedy “The Inspector General” with a silent scene? Nikolai Vasilyevich Gogol’s comedy “The Inspector General” is a world masterpiece, because it has become famous and popular not only in Russia, but throughout the world. In the text of the comedy we encounter a huge number of comic scenes, which, on the one hand, amuse readers, and, on the other hand, speak of a rather bitter and difficult situation in society.

The episode at the end of the work, which was called a “silent scene,” confirms the author’s talent, because in a short passage, Gogol, without using the verbal expressions of his characters, gives detailed description their actions. After the unexpected news that a real auditor had arrived in the city, the assembled people fell into horror.

Gogol's brilliant comedy was written in St. Petersburg in the autumn of 1835 - in the winter and spring of 1836. It is believed that the plot of the play was suggested to Gogol by A.S., and is also based on real facts of Russian reality, in which there were frequent cases of “imaginary” auditors.
The author based the play on an anecdotal situation, but at the same time he deeply generalized it, using its example to show a broad picture of modern reality. The plot of the comedy is social in nature; everyday phenomena demonstrating the main aspects of life in modern Russia have come to the fore; It was not personal clashes and “private interests”, but the general “fear of retribution” that struck the city that became the center of the conflict. Gogol presented a group of city rulers at a moment of “emergency,” when events, confirmed by rumors, letters, dreams, and signs, sharply escalated.
Composition plays an important role in understanding the meaning of the play. Main character comedy Khlestakov is not present in either the first or last acts. Thus, the reader’s attention is transferred to the morals and orders prevailing in the city. Since the mayor, out of caution, violating regulations, invites the postmaster to open letters from strangers, he does this with obvious desire and zeal, which produces a stunning effect at the end of the comedy. The news of the inspector's arrival in the first apparitions and his true appearance at the end of the comedy create a ring composition. At the same time, we guess that the mayor will behave in the usual way and there will be no surprises with the meeting with the auditor. Everything will return to the order established for decades.
The first remark of the Governor is the beginning of the conflict: “I invited you, gentlemen...”. This invitation and the “unpleasant news” communicated to officials produce the effect of a bomb exploding and set everything in motion. The climax of The Inspector General can be called the scene of Khlestakov’s boasting and lies, and the denouement is the “silent scene”, which is rightfully considered Gogol’s brilliant invention.
This scene has special meaning. Outwardly, it is explained by fear from the appearance of the gendarme, who announces the arrival of the real auditor, replacing the imaginary one. However, Gogol did not show the result of the appearance of an important official; the reader knows nothing about the fact that the carriers of vice are severely punished by a representative of the highest authority. In the comedy “The Inspector General”, attention was focused on the very effect of shock for literally all the characters, regardless of the degree of their “guilt” and participation in the events.
On stage, this was expressed by an extensive mise-en-scène, or “silent scene,” which in its duration (“almost a minute and a half”) deviated from all accepted norms. Thanks to this, the silent scene contains a plurality of meanings, up to the highest meaning - the Divine judgment of all humanity. This meaning was specially emphasized in “The Inspector General”: “Whatever you say, the inspector who is waiting for us at the door of the coffin is terrible.”<…>. Nothing will be hidden before this auditor...” But it is possible that no retribution will happen at all and the vice will not be punished. The officials will come to their senses and, after a stupor, will again agree on how to “fool” the newly-minted “police officer.” Moreover, the auditor does not intend to go around the city and all its public and official places, but demands officials to come to him, to his apartments. But the finale of the play created by Gogol shocks with the sharp, unexpected contrast between laughter, malice, the bustle of the end of Act V, that is, lively mobility - and the sudden deathly silence and sculptural stillness. The ghosts seemed frozen and petrified. The author's judgment has been completed on them.
Closely related to the ending of the comedy is the epigraph to it: “There is no point in blaming the mirror if your face is crooked.” It is the “crooked faces” of the main characters that we see in the “silent scene”. In fact, the Mayor, who combines scale and pettiness, breadth of strategy and narrowness of tactics, gives operational orders, widely covers the departments of city government at a time of menacing danger, orders to quickly sweep up the old fence and put up a straw milestone so that it looks like a layout. But at the same time, the hero follows a comical rule: “The more it breaks, the more it means the activity of the city ruler.” He seems to see everything vigilantly (he is “a very intelligent man in his own way”), thoroughly prepares the defense, but carelessly overlooks many things (for example, he forgot to order the hotel where the visitor should stay to be put in order). The mayor wanted, but forgot to warn about the neglected legal proceedings and about the court itself, where geese roam; he combined important instructions with insignificant ones, put on a paper case instead of a hat, ordered the workers to “take up the street” and sweep the city.
Frightened by the upcoming audit, the hero is so overcome with fear of the imaginary authorities, who are looking out for “sins”, that he fawns over Khlestakov, humiliates himself, being overweight and respectable, bends before the “strong”, before his superior, “even though he is just a rag.” The mayor is making enormous efforts to “fool up” young man, achieves, as it seems to him, victory, but does not notice that it is imaginary. He is so servile to the nonentity that he is ready to settle Khlestakov in his house, makes unimaginable economic orders to officials and police officers, generously treats the visitor and, being a clever bribe-taker, himself goes to the extent of “slipping” Khlestakov. Rude and cruel with everyone who is lower in rank or dependent on him, he flatteringly and insinuatingly, kindly and tenderly courtes the guest, trying to please, appease and charm him. With “great happiness” he gives him his daughter as his wife, he is almost ready to sacrifice even his wife. Thus, the character of the mayor is based on contradictions. It is all the more interesting to see this hero in the “silent scene” standing “in the middle in the form of a pillar, with outstretched arms and his head thrown back.” An association arises with the heavenly punishment that struck Lot’s wife and turned her into a pillar of salt.
Gogol hopes that at least fear will make people think about the vices in which they are mired. The “silent scene” in the finale of N. V. Gogol’s comedy “The Inspector General” allows us to define the genre of the play as a “comedy of manners,” taking it beyond the scope of a banal anecdote.

so that those passing by and everyone noble people no harassment... Khlestakov (at first he stutters a little, but towards the end of his speech he speaks loudly). But what can I do?.. It’s not my fault... I’ll really pay... They’ll send it to me from the village. Bobchinsky looks out of the door. He is more to blame: he serves me beef as hard as a log; and the soup - God knows what he splashed in there, I had to throw it out the window. He starved me for days on end... The tea is so strange: it stinks of fish, not tea. Why am I... Here's the news! Mayor (timid). Sorry, it's really not my fault. The beef at my market is always good. They are brought by Kholmogory merchants, people who are sober and of good behavior. I don't know where he gets this from. And if something goes wrong, then... Let me invite you to move with me to another apartment. Khlestakov. No, I don't want to! I know what it means to another apartment: that is, to prison. What right do you have? How dare you?.. Yes, here I am... I serve in St. Petersburg. (Being cheerful.) I, I, I... Mayor (to the side). Oh my God, so angry! I found out everything, the damned merchants told everything! Khlestakov (bravely). Even if you’re here with your whole team, I won’t go! I'm going straight to the minister! (He hits the table with his fist.) What are you doing? What do you? Mayor (stretched out and trembling with his whole body). Have mercy, don't destroy! Wife, small children... don’t make a person unhappy. Khlestakov. No, I don't want to! Here's more! What do I care? Because you have a wife and children, I have to go to prison, that’s great! Bobchinsky looks out the door and hides in fear. No, thank you humbly, I don’t want to. Mayor (trembling). Due to inexperience, by golly due to inexperience. Insufficient wealth... Judge for yourself: the government salary is not enough even for tea and sugar. If there were any bribes, it was very small: something for the table and a couple of dresses. As for the non-commissioned officer's widow, a merchant, whom I allegedly flogged, this is slander, by God, slander. My villains invented this: they are such a people that they are ready to encroach on my life. Khlestakov. What? I don't care about them. (In thought.) I don’t know, however, why are you talking about villains and about some non-commissioned officer’s widow... A non-commissioned officer’s wife is completely different, but you don’t dare flog me, you’re far from that... Here's more! Look at you!.. I will pay, I will pay money, but now I don’t have it. The reason I'm sitting here is because I don't have a penny. Mayor (to the side). Oh, subtle thing! Where did he throw it? what a fog he brought in! Find out who wants it! You don’t know which side to take. Well, just try it at random. (Aloud.) If you definitely need money or anything else, then I’m ready to serve this minute. My duty is to help those passing by. Khlestakov. Give me, lend me! I'll pay the innkeeper right now. I would only like two hundred rubles or even less. Mayor (bringing up pieces of paper). Exactly two hundred rubles, although don’t bother counting. N.V. Gogol "The Inspector General"

The comedy “The Inspector General” by N.V. Gogol at one time became one of the most innovative works of dramatic art. Many of the techniques used by the author have never been used by playwrights before and have not been implemented on the theater stage. Such innovative techniques include the aforementioned “silent scene” with which the final part of the comedy “The Inspector General” ends. What did the author want to achieve by concluding the work with a silent scene? What effect did you expect?

It is believed that the silent scene that ends the comedy “The Inspector General” was introduced into the work by the writer under the impression of famous painting Russian artist Karl Bryullov “The Last Day of Pompeii”. It is this picture that strikes the person looking at it with the strength and expressiveness of frozen emotion. The image is motionless, static, but at the same time, the faces of the people depicted in the picture, their figures, the poses they take, testify to their inner state better than any words. The eloquence of static scenes, their expressiveness - these are precisely the properties that were subtly noticed by N.V. Gogol and later successfully used by the writer. After all, “The Inspector General” is far from the only work of the writer in which there is a “silent scene” (in another extremely popular work - the story “Viy” - the author also uses this technique). If we consider the artistic techniques used by N.V. Gogol in more detail, we can notice a certain pattern: the technique of “death”, a kind of “petrification” is the basis for the depiction of many characteristic Gogol characters (for example, the same landowners in “Dead Souls”). In The Inspector General, the silent scene is the climax, and it should be the most eloquent. Freezing in an expressive pose (the poses of all the characters are different, which emphasizes their individual personal qualities) is a real pantomime. The mayor, members of his family, the postmaster, Strawberry, Luka Lukich - all of them become mimes for some time, actors in the “theater of facial expressions and gestures.” And words are not needed here, maybe even unnecessary. Posture and facial expression can express an incomparably greater surge of emotions than words.

Moreover, the silent scene in “The Inspector General” is also massive - everyone stands as if struck by thunder, and this circumstance once again emphasizes how shocking and stunning the news was for all the characters that “... who came by personal order from The St. Petersburg official demands you to come to him this very hour.”

Gogol was the first Russian playwright to use the pause technique, which was successfully used by many directors, screenwriters and writers after him. Today, the pause technique is one of the most commonly used dramatic techniques.

I would like to argue with Maxim Maksimych, who, feeling sorry for Bela, said: “No, she did well to die. Well, what would have happened to her if Grigory Alexandrovich had left her? And this would have happened sooner or later!”

Bela is an integral and strong nature. Her suffering would have been great if Pechorin had left her. But Bela could suffer with dignity, just as she could love with dignity. “The graceful image of a captivating Circassian woman,” as V. G. Belinsky wrote about Bel, touches and delights at the same time, as it combines the uncontrollability of youthful impulse and the maturity of high feelings.

>Essays on the work The Inspector General

Why does Gogol end the comedy with a silent scene?

The final scene is the climax of the play, which lasts more than one and a half minutes. This creates the opportunity to fully consider the essence and image of each character, with the exception of Khlestakov, who is a person from a different society. The silent scene is not as simple as it may seem; it is full of symbolism. The inevitability of punishment is perfectly noted here, and the phrase “like thunder” also emphasizes the presence of higher powers - the full power and tragedy of the situation is felt.

The positions in which they were petrified also play an important role. characters. Gogol seems to be hinting that throughout the entire play the characters lied and dodged as best they could, and having been petrified, they no longer have a chance to lie. This freeze frame shows their true colors.

The position of the mayor can be interpreted in two ways, just like his last name. Skvoznik-Dmukhanovsky, frozen in the form of a pillar, is either asking: “Why me? Everyone does it. I am no worse and no better than others,” or he clearly understands his hopelessness and is ready to pay for his crimes. He stands in the middle, that is, he is key figure, and not in vain, because the fish begins to rot from the head. The daughter and his wife, “with the movement of their whole body rushing towards him,” are trying to find protection, to hide under the wing of Anton Antonovich.

The postmaster was surprised and didn’t understand why he couldn’t read other people’s letters, and he did it out of curiosity, which is why he froze in the form of a question mark in the final chord of the play, as if asking: “What’s next and how will it end?”

The final scene, like the phrase said by Khlopov: “Someone of higher rank speak to me, I simply have no soul, and my tongue has withered like dirt,” reveals all the cowardice and loss of the school superintendent. Three ladies, guests and. Korobkin, who so skillfully hid their malice, exposed open mockery to us, openly enjoying and even gloating about the current situation. Strawberry, like a real “weasel and rogue”, with his petrified position, shows in every possible way that, despite the sensitivity of the situation, he will try to find a loophole and get away with it.